He was disruptive in ways that mattered he was vocal about all forms of injustice,” he says. Darcus wasn’t a quiet Black man who just fit in. “It’s probably no accident that I feel confident stepping into this when I have an example of a Black leader at a record company like. His boss was Darcus Beese, son of Darcus Howe, the racial justice campaigner, whose story was recently partly told in the Mangrove episode of Steve McQueen’s Small Axe. Generous financial pledges aside, many are looking for lasting change within these corporate cultures that would improve the career progression of Black employees.Īt Island Records, Alex Boateng worked with everyone from Drake and Sean Paul to Giggs and viral rapper Big Shaq. The big three labels, Universal, Sony and Warner, launched social justice funds in the high millions labels and industry bodies such as the Grammys pledged to stop using the condescending term “urban” to describe Black music. Out of that came Blackout Tuesday on 2 June 2020, activity stopped for the day in solidarity with the ongoing fight against racism. Actually, it’s very well placed to lead on the changes needed to make the UK more equitable.”įollowing the murder of George Floyd last year, Black music industry employees took the business to task on race. “Regardless of retrograde reports thrown out by the government, we as diverse communities know that systemic racism and historical bias still exist in all walks of life. “There are a number of reasons why the data sometimes doesn’t feel reflective of the music or audiences it serves,” says Ammo Talwar, diversity taskforce chair of the industry body UK Music and CEO of Punch Records in Birmingham. A new global report by the Annenberg Inclusion Initiative found that just 7.5% of 4,060 executives at vice-president level and above are Black. Industry body UK Music found that ethnic diversity across the industry increased from 17.8% in 2018 to 22.3% in 2020, but less than a fifth of executives are non-white, and only 6% are Black, despite the cultural dominance of various styles of rap, plus R&B, African pop, soul and dance music – all rooted in Black culture – remaining hugely popular. Having risen through London’s first grime wave in the early 00s, the Boateng brothers are now co-presidents of 0207 Def Jam, and two of the few Black faces in UK music industry boardrooms. “They were edgy and frowned upon by anyone who wasn’t part of the respective scenes.” “The punk rock and hip-hop trajectories were somewhat similar: both were being made by young people without virtuoso skill, and both were about ideas more than musicianship,” says Rubin. In the mid-1980s, that progressive ethos infused Def Jam’s DNA. (From left) Ne-Yo, Rihanna, Jay-Z and Teairra Mari. Most significantly, 0207 has a mostly female and entirely minority ethnic team of executives, an important development as the UK major label system – so reliant on Black creativity – tries to establish more diversity in its overwhelmingly white boardrooms. Its name inspired by the inner London telephone code, the label has lured Stormzy away from rivals Atlantic just two years after he signed a splashy deal, and their founding roster includes chart stars such as the Essex road-rap star Potter Payper. Its latest chapter is 0207 Def Jam, a new UK imprint established by the British music executives Alex and Alec Boateng with the blessing of Rubin and Universal Music UK’s CEO, David Joseph. But Def Jam endures Snoop Dogg recently signed on as a creative consultant. Its reputation was recently tainted after a series of women accused co-founder Russell Simmons of sexual assault, which he denies. A year later, Def Jam signed Justin Bieber. Kanye West, DMX and Jay-Z took it to superstardom – the latter spending three years as president from 2004 to 2007, signing Rihanna and Ne-Yo. G Funk Era, restored the label’s fortunes. A slump in sales left it $19m in debt by 1992, but the multi-platinum success of Warren G’s 1994 debut, Regulate. It united the nascent NYC rap scene with Public Enemy and Beastie Boys, while Walk This Way, Run-DMC’s collaboration with Aerosmith, helped open a door to hip-hop for white audiences. Thirty-seven years later, the most iconic label in hip-hop is part of Universal Music, and commands a vast legacy. It was really more about being a part of something: a community of outsiders making music, mainly for ourselves and each other.” “That was the ceiling for the hardcore punk scene at that time. “We never had any aspirations other than playing in small clubs,” he says. Its first office was his New York University dorm room. In 1984, it was simply a means for him to release music by his punk rock band, Hose. R ick Rubin’s initial ambitions for Def Jam were modest.
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He finds himself in a hidden world where magic is real, where the Old Gods fear irrelevance and the growing power of the New Gods, and where. Left adrift by the recent death of his wife, Shadow is hired as Mr. Unlike other episodes, it was fast-paced and promised that there’s a lot more trouble to come. When Shadow Moon is released from prison, he meets the mysterious Mr. Overall, it was a fun episode to watch that answered many of our previous questions. Later, Bilquis dances at the party and looked absolutely stunning thus, concluding the episode. But, fans are assuming that it has something to do with Shadow’s mother’s midwife. It has not been revealed who that person is. She is well aware of the fact that Shadow has a twin. The lead cast of American Godsīilquis has moved to Chicago and is shown partying with other people with who she is “friends”. Mike is developing hots for someone but as reality dawns upon him, his situation gets worse. He is trying to get back to leading a normal life again and tries to pull himself together. Mike has been shrouded in his own miseries and woes since the past few episodes. And, Wednesday discovers the person behind this. As you would already know, someone has been killing the followers of Wednesday lately. And, the last episode titled “Fire and Ice” aimed at gluing all the pieces back together to make some sense. She’s off to kill Wednesday after all.The show has been dropping plotholes since its premiere. But Salim is surprisingly okay with this after his hot night with Kai, and his personal reawakening leads her to one of her own - she eventually dumps Sweeney’s ashes, accepting he’s gone and allowing herself to begin the grieving process, just in time for Doyle to suddenly re-emerge and give her the spear anyway. Given the terms of the contract she drew up with Danny Trejo, if she can’t kill Wednesday, which without his spear is highly unlikely, all of her friends, including Salim and Shadow, are in danger. This puts Laura in a bit of a predicament in American Gods season 3, episode 8. Then he disappears, and it doesn’t look like he’s coming back. Nevertheless, with the help of Sweeney’s lucky coin and an assurance that she doesn’t intend to use the weapon for violence, he agrees. But Laura needs him to access Sweeney’s hoard, which is against the Hibernian Code at the best of times but especially in the retrieval of a weapon. Laura, meanwhile, approaches Doyle, who explains that he lost his luck by refusing to kill her for Wednesday, leading to Mad Sweeney being hired for the task instead. Salim later reluctantly attends, is given something of a pep talk by the proprietor, is immediately entranced by the writhing naked bodies and complete acceptance of everyone there, and very politely has sex with Kai. While Laura goes off to find Liam Doyle, she leaves him to grapple with both his inner demons and a vibrating heart-shaped bed he has to summon Kai to help him turn it off, at which point the bellhop invites him to a pansexual adventure love-in. A far cry from the run-down state we saw it in previously, it’s now a bustling hive of colour, exuberance and openness, which is a problem for Salim, given his current state of mind, especially once he immediately takes a shine to the very handsome bellhop, Kai. We return here in the present day when Laura arrives with Salim. He even makes a cool sign out of butterflies. This isn’t just a kindly thing to do but also turns out to be great for business, since the would-be sodomizer is Tu’er Shen, the Chinese rabbit god, who repays the gesture by turning the motel into a temple and freewheeling sexually adventurous haven and hotspot. Anyway, a 1951-set prologue kicks things off, introducing us to the Grand Peacock Inn, a humble place where a man suspected of conspiring to commit sodomy - unthinkable! - is hidden from the bigoted local police by the trans proprietor, who absolutely styles on one of the cops, not-so-subtly threatening to expose his own sexual preferences. This label boss started Say Less as a passion project, on his own, and is quickly to transforming it into one of the most premiere house and techno labels in the Philadelphia area. The energy he carries for music can be observed through his mixes, tracks, and his record label – Say Less Records. Nah Mean? is a Philadelphia based music producer/DJ/dance music enthusiast focusing primarily on house, techno, and bass music production. The post deep house lounge podcast #103 – appeared first on. Creighton – Dance Like This (Original) 17. Nick Curly, Yaccelil – Perpetuo (Original) 16. TMikalogic – The Hyve (Mirco Caruso Remix) 15. Vangelis Kostoxenakis – Supremacy (Miguel Bastida Remix) 14. Enrico Bellan – Sunrise In IBZ (Roberto Surace Remix) 12. KI Creighton,Waze & Odyssey – House Season 11. Danniel Selfmade – Nervous (Franz Costa Remix) 10. Maxi Vega – Cucutrucho (Original Mix) 09. Butch – Vente Con Papi (Original Mix) 08. Stan Kolev – Panevritmia (Original Mix) 07. Alex M – Supernatural (Who Else Vocal Mix) 06. Simion – Why Don’t You Say (Original Mix Betoko Re-Edit) 03. Francesco Poggi – We Dream (Original Mix) 02. With a style that ranges from deep and melodic techno to driving house and tech-house, his classic set construction and track selection has quickly made him a fan favorite.Ġ1. Since making his debut he has played famous events such as the PEX Summer Festival & 2nd Street Shakedown, and at legendary venues like Silk City (Philly) and Flash Night Club (DC). In 2016 he stepped out from behind the scenes and into the spotlight to become a resident DJ in the Philadelphia Burning Man community and officially unofficial DJ of the infamous Camp Phuckit. His DJing career started by playing intimate gatherings late nights into mornings winning over the hearts and ears of those around him. After taking a break from the scene he moved to Philadelphia in 2013 and his love of house music was reinvigorated by the tight-knit dance community he fell into. Growing up with a lot of DJ’s he always had a deep passion and respect for DJing and electronic music. 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